Articles

95 results

Sacred and Secular Hearings of Holsinger's Fantasy on Old Hundred

Samantha M. Inman

Volume 13 • Issue 1 • 2026

Translating Cultural Symbols into Sound: The Creation and Transformation of the “Mantra Chord” in Zou Xiangping’s Images of Yalong River for Alto Saxophone and Piano

Cehuai Zhang

Volume 13 • Issue 1 • 2026

Structural Models for Lyric-Setting Analysis in Popular Song

Matthew T Hough

Volume 12 • Issue 1 • 2025

Cadential Rhetoric and Separate Agencies: Split-Voice PACs and their Impact on Formal Closure in the Music of Dvořák

Xieyi (Abby) Zhang

Volume 12 • Issue 1 • 2025

A Concrete Naming Convention for Small Intervals

Laurence S Willis

Volume 12 • Issue 1 • 2025

The “Rebuff Chorus” in 1960–2000 Pop Music

David Heetderks

Volume 11 • Issue 1 • 2023

Intriguing Interpretation of Dyads in Common-Practice Tonal Music

Yosef Goldenberg

Volume 10 • Issue 1 • 2021

Developing Variation in the Late Work of Morton Gould and Why It Matters

J. Wesley Flinn

Volume 10 • Issue 1 • 2021

Review of Coherence in New Music: Experience, Aesthetics, Analysis, by Mark Hutchinson. (New York, NY: Routledge, 2016).

Orit Hilewicz

Volume 10 • Issue 1 • 2021

GESUALDO’S MORO LASSO AND THE FREUDIAN REPETITION COMPULSION

Michael Lively and Mary Lena Bleile

Volume 9 • Issue 1 • 2020

THOSE BORING, ARCANE PART-WRITING EXERCISES

L. Poundie Burstein

Volume 9 • Issue 1 • 2020

A DIMINISHED-SEVENTH BASSBRECHUNG: TONAL AMBIGUITY AND THE PROLONGATION OF FUNCTION IN EDWARD ELGAR’S STRING QUARTET, 1ST MOVEMENT

OLIVER CHANDLER

Volume 9 • Issue 1 • 2020

Editor's Message

Michael Baker

Volume 9 • Issue 1 • 2020

Review of Carola Nielinger-Vakil, Luigi Nono: A Composer in Context (Cambridge University Press, 2015)

Jamuna Samuel

Volume 8 • Issue 1 • 2018

Review of Jonathan D. Kramer, Postmodern Music, Postmodern Listening (Bloomsbury, 2016)

Philip Duker

Volume 8 • Issue 1 • 2018

A Study of Inter-Cardinality Voice Leading Using Voice-leading Zones and the Extended 4-Cube Trio

Hon Ki Cheung

Volume 8 • Issue 1 • 2018

Chord-Scale Networks in the Music and Improvisations of Wayne Shorter

Garrett Michaelsen

Volume 8 • Issue 1 • 2018

Übergreifen

Nicolas Meeùs

Volume 8 • Issue 1 • 2018

To Be or Not to Be: Schenker's Versus Schenkerian Attitudes Towards Sequences

Stephen Slottow

Volume 8 • Issue 1 • 2018

The Influence of Musical Style on the Development of Schenkerian Methodology

Joseph Lubben

Volume 8 • Issue 1 • 2018

Schenker's Leading Linear Progressions

Peter Franck

Volume 8 • Issue 1 • 2018

Introduction

William Marvin

Volume 8 • Issue 1 • 2018

Editor's Message

Keith P Salley and Michael Baker

Volume 8 • Issue 1 • 2018

The Early Schenkerians and the "Concept of Tonality"

John Koslovsky

Volume 7 • Issue 1 • 2016

On the Slow Movement of Brahms's F-Minor Clarinet Sonata: Thirds-Cycles, Diatonie, and Todesangst

Edward Klorman

Volume 7 • Issue 1 • 2016