Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic | Issue: Issue: 1(3) (2012)

Volume 3 • Issue 1 • 2012

article

What’s in a Theme? On the Nature of Variation

Roman Ivanovitch

2012-01-18 Volume 3 • Issue 1 • 2012

Beats that Commute: Algebraic and Kinesthetic Models for Math-Rock Grooves

Brad Osborn

2012-01-18 Volume 3 • Issue 1 • 2012

frontmatter

Table of Contents

2012-01-18 Volume 3 • Issue 1 • 2012

review

Tosca’s Prism: Three Moments in Western Cultural History

Juan Chattah

2012-01-18 Volume 3 • Issue 1 • 2012

Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata

Mark Richards

2012-01-18 Volume 3 • Issue 1 • 2012

musictheoreticalmatrix2

Compound Melody and Jazz Improvisations: A Reconsideration

John D. Check

2012-01-18 Volume 3 • Issue 1 • 2012

How to Build a Development Section: A Schenkerian Perspective

Timothy Cutler

2012-01-18 Volume 3 • Issue 1 • 2012

Schenker, Schubert, and the Subtonic Chord

David Damschroder

2012-01-18 Volume 3 • Issue 1 • 2012

The Unfolding Tale of Griffes’s “White Peacock”

Taylor A. Greer

2012-01-18 Volume 3 • Issue 1 • 2012

A Russian Rhetoric of Form in the Music of Witold Lutosławski

Douglas Rust

2012-01-18 Volume 3 • Issue 1 • 2012