Volume 2 • Issue 1 • 2009


article

Transformation in Rock Harmony: An Explanatory Strategy

Christopher Doll

Volume 2 • Issue 1 • 2009

musictheoreticalmatrix

The Twin Legacies of a Scholar-Teacher: The Publications and Dissertation Advisees of Allen Forte

David Carson Berry

Volume 2 • Issue 1 • 2009

The Musical Idea and the Basic Image in an Atonal Song and Recitation of Arnold Schoenberg

Jack Boss

Volume 2 • Issue 1 • 2009

The Expressive Role of Rhythm and Meter in Schumann’s Late Lieder

Harald Krebs

Volume 2 • Issue 1 • 2009

Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure

Edward D. Latham

Volume 2 • Issue 1 • 2009

Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs

Mark Spicer

Volume 2 • Issue 1 • 2009

forumethnicdiversity

Inconvenient Truths, and Changes to Believe In: Foreword to the Forum

Jeannie Ma. Guerrero

Volume 2 • Issue 1 • 2009

Diversity, Music, Theory, and the Neoliberal Academy

Sumanth Gopinath

Volume 2 • Issue 1 • 2009

Diversifying Music Theory

Youyoung Kang

Volume 2 • Issue 1 • 2009

In and Around Music Theory and the Academy: A Perspective

Horace J. Maxile, Jr.

Volume 2 • Issue 1 • 2009

On Diversity

Amy Cimini and Jairo Moreno

Volume 2 • Issue 1 • 2009

review

The Musician’s Guide to Aural Skills, by Joel Phillips, Jane Piper Clendinning, and Elizabeth West Marvin. New York: W. W. Norton, 2005.

Brent Auerbach

Volume 2 • Issue 1 • 2009

Manual for Ear Training and Sight Singing, by Gary S. Karpinski. New York: W. W. Norton, 2007. (And other texts by Gary S. Karpinski.)

Marva Duerksen

Volume 2 • Issue 1 • 2009

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